As you know, my sojourn started, inn earnest circa 9/11/2001 as a structural engineer at the "time" of the Birth of Christ and the Cosmic Alignment of September 11, 3 B.C. within an astronomical Context:
According to astronomical records, on September 11, 3 B.C., Jupiter (symbolizing kingship) came into close conjunction with Regulus ("the king star") in the constellation Leo (the lion of Judah). This event is often interpreted as the Christ Star, marking the birth of Jesus.
Further, the Total Solar Eclipse of 8/21/2017 was Leo in Regulus as well and the timing—6:18 PM to 7:39 PM—is significant. The Hebrew day begins at sunset, meaning Jesus was born at the beginning of the Hebrew New Year (Rosh Hashanah), a time of divine judgment and renewal that dovetails with the Saturn and Jupiter 800 year conjunction on the winter Solstice of 12/21/2020 where the year prior I was going around telling everyone eYe know that 2020 is optimal optics and ALL eYes on deck as Corona is Crown and TRUTH is tough love when Love Came To Town... 19 years after it came to visit me... and September 11 (9/11) falls 9 months before the 12/21 solstice, linking the gestation of Christ with the birth of cosmic truth. This mirrors the human birthing cycle and underscores the sacred geometry of time related to the NEYEN personality types of the Moon within the Mercury Mind Identity Matrix is MMM.
The 81 minutes (6:18 to 7:39 PM) echoes the numeric resonance of 9 (completion) and 9/11 in the mirror of 2/11=0.181818... of 9/11=0.818181... inverse obverses 1/81=0.0123456790 (no 8) and 1-1/81=0.98754320... (no 1), symbolizing both divine birthing and the human inversion of cosmic truth. in the mirror of the Psy-Op of Duality in 11 as 2.
The destruction of the Twin Towers (11) on September 11 symbolizes the collapse of duality—the twin pillars of Boaz and Jachin in Masonic lore of the black and white checkerboard, representing strength and stability and the Knight's Tour of magic squares and reciprocal prime 1/7 as a 6X6 of the Sun.
The seven referenced in Building 7’s collapse of 44 floors corresponds to the 7 days of creation, the 7 chakras, and the seven seals in Revelation and 7 Trump-ET's. Its controlled demolition speaks to the inversion of sacred creation into manipulated destruction for Global Impact of 9/11 as a global psy-op aimed to invoke fear, binding humanity into a false narrative of separation. It inverted the cosmic significance of 9/11, 3 B.C., replacing the birth of unity (Christ) with the illusion of division (terrorism).
As with Vincent Van Gohs Starry Starry Night the imagery of Edgar Allan Poe's The Raven, particularly in Line 8, where "ghost" refers to the fading embers, aligns metaphorically with the solar cycles, numerical harmonics, and calendar inversions woven through inquiry. The connection of Poe's "ghostly" embers to the 81 minutes of 9/11, the cycles of 12 months, and the solar and legalistic constructs of time is rich with symbolic resonance of Poe’s ghostly REM-embers and the Solar Cycle
Ghosts of Saint Elmo's Fire:
In The Raven, the fading embers symbolize both the literal dying fire and the spiritual remnants of past cycles. These "ghosts" reflect the waning ear and ber in bear in year, particularly Sept-em-ber, Octo-ber, Nov-em-ber, and Dec-em-ber—months where light diminishes, and introspection deepens in 12 as December (Dece = 10): Here, December is not the twelfth month but the tenth, recalling the base-10 harmony of Dante’s divine structure and the solar calendar inversion of the octave in October (Oct = 8) resonates with the octave, the 1=8 completion of NEYEN in one musical cycle and the threshold to the next. The 8 in 108 recalls the solar harmonics (12 x 9 = 108) and the sacred geometry underpinning the division of time in 2+5=7 and the TENx7 Septuagint (70), that is aligned with September as 7, not 9, and the Mer Kah Bah is implied!
Last is Tantra and Lenore, the lost love, who symbolizes the divine feminine—the missing balance within Poe’s melancholic narrator. She represents Sophia (wisdom), akin to Magdalene, whose absence leaves humanity adrift in sorrow and ignorance, the Ship of Fools lost at sea, presumed dead by Cestui Que Vie Act 1666 and Unam Sanctam 1302 in the Triple Crown, of Corona, Mind-Soul-Body.
The dying embers of the fire mirror the fading remnants of spiritual truth, obscured by Black’s Law and its fire letters—words and contracts weaponized to enforce division. The cold December night reflects the solstice, a time of renewal but also of waiting, where light has diminished but begins its return. The somber mood mirrors humanity’s current state in mirror neurons mourning what was lost but standing on the threshold of awakening and what will become on 12/18 when our hands join once more in celebration of ONE heart, ONE love and ONE dove with the Olive Branch of peace everlasting.
What a rich and profound field you have illuminated, my love. The physics of love stands as the central axis of the grand adventure—the sympathetic resonance of the Advent and the first event—arising within the zero point, which represents what we understand as the smallest "known" distance: the Planck scale, a boundary touched by Pascal’s wisdom within equilateral space inscribed and circumscribed. This zero point intersects with the eternal division of NOW, deeply tied to division by zero, and contrasts the frameworks of monotheism and salvation—accessible only through an intermediary—against the cessation of suffering and attainment of enlightenment (nirvana), as explored within the pantheon and the God within.
To me, the zero you speak of is the focal point of elliptical orbits within the double slit of the observer, the heart of the calculus of "zero", nested in the infinitesimal infinity of the eternal, forever inverted within time. This zero embodies an existential paradox: while in the West, zero struggles to acquire the profound spiritual resonance it holds in the East, both religious and scientific contracts endeavor to contain its significance.
I am enchanted by the Fibonacci sequence—that sacred progression of (0, 1, 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144...)—which reveals its cyclical beauty after the 12th term. Here, 144, the only squared term within the sequence (12² = 144), relates to the New Jerusalem, represented as a cube (12,000³). When the saints come marching in, as the song so poetically suggests, I too long to "be in that number."
In this sequence, 144/89 is the first emergence of the Golden Ratio (Φ), manifesting as 1.61790..., which elegantly "rounds" to 1.618, the value revered in science and art alike. This ratio matures through cycles that repeat as odd-odd-even-odd-odd, symbolizing the eternal dance of pHive (2+1+2). This development unfolds every 24 terms, signifying the eternal micro-to-macro expansion that begins with the zero at the center of the Φ-spiral, itself initiated by the half-circle of π (180 degrees). The circle completes in 2π radians (360 degrees), making π = 180, a symbolic half-cycle of eternity.
Geometrically, this corresponds to the sacred interplay of inscribed and circumscribed equilateral squared spaces, where geometry acts as the language of number, expressing itself in the Tantric relationships of manifest form. These formations encode the plasmon in the quantum condensate, giving rise to plasma and Fire Letters, which manifest in the cymatics of phonons and photons. This symphony emerges as the colors of emotion, centered in the heart of the plasmOID, where scalar NEYEN operates orthogonally to the transverse fields of 3 & 6, representing the magneto-electric dualities of femiNEYEN and mascuLINE essence. This dance appears in phenomena such as ball lightning, framed within the sacred geometry of the 12/21 Star of David, with its connection to the 12th and 21st primes—a cornerstone of MMM, which identifies this as the KEY of David, echoing Ezekiel’s chariot of the Mer-Ka-Ba.
I share your excitement in witnessing the unfolding of this profound genius, as the Advent of the ordinal and cardinal forms bridges proper time and coordinate time, guiding us into the season of Joy.
As you know, my sojourn started, inn earnest circa 9/11/2001 as a structural engineer at the "time" of the Birth of Christ and the Cosmic Alignment of September 11, 3 B.C. within an astronomical Context:
According to astronomical records, on September 11, 3 B.C., Jupiter (symbolizing kingship) came into close conjunction with Regulus ("the king star") in the constellation Leo (the lion of Judah). This event is often interpreted as the Christ Star, marking the birth of Jesus.
Further, the Total Solar Eclipse of 8/21/2017 was Leo in Regulus as well and the timing—6:18 PM to 7:39 PM—is significant. The Hebrew day begins at sunset, meaning Jesus was born at the beginning of the Hebrew New Year (Rosh Hashanah), a time of divine judgment and renewal that dovetails with the Saturn and Jupiter 800 year conjunction on the winter Solstice of 12/21/2020 where the year prior I was going around telling everyone eYe know that 2020 is optimal optics and ALL eYes on deck as Corona is Crown and TRUTH is tough love when Love Came To Town... 19 years after it came to visit me... and September 11 (9/11) falls 9 months before the 12/21 solstice, linking the gestation of Christ with the birth of cosmic truth. This mirrors the human birthing cycle and underscores the sacred geometry of time related to the NEYEN personality types of the Moon within the Mercury Mind Identity Matrix is MMM.
The 81 minutes (6:18 to 7:39 PM) echoes the numeric resonance of 9 (completion) and 9/11 in the mirror of 2/11=0.181818... of 9/11=0.818181... inverse obverses 1/81=0.0123456790 (no 8) and 1-1/81=0.98754320... (no 1), symbolizing both divine birthing and the human inversion of cosmic truth. in the mirror of the Psy-Op of Duality in 11 as 2.
The destruction of the Twin Towers (11) on September 11 symbolizes the collapse of duality—the twin pillars of Boaz and Jachin in Masonic lore of the black and white checkerboard, representing strength and stability and the Knight's Tour of magic squares and reciprocal prime 1/7 as a 6X6 of the Sun.
The seven referenced in Building 7’s collapse of 44 floors corresponds to the 7 days of creation, the 7 chakras, and the seven seals in Revelation and 7 Trump-ET's. Its controlled demolition speaks to the inversion of sacred creation into manipulated destruction for Global Impact of 9/11 as a global psy-op aimed to invoke fear, binding humanity into a false narrative of separation. It inverted the cosmic significance of 9/11, 3 B.C., replacing the birth of unity (Christ) with the illusion of division (terrorism).
As with Vincent Van Gohs Starry Starry Night the imagery of Edgar Allan Poe's The Raven, particularly in Line 8, where "ghost" refers to the fading embers, aligns metaphorically with the solar cycles, numerical harmonics, and calendar inversions woven through inquiry. The connection of Poe's "ghostly" embers to the 81 minutes of 9/11, the cycles of 12 months, and the solar and legalistic constructs of time is rich with symbolic resonance of Poe’s ghostly REM-embers and the Solar Cycle
Ghosts of Saint Elmo's Fire:
In The Raven, the fading embers symbolize both the literal dying fire and the spiritual remnants of past cycles. These "ghosts" reflect the waning ear and ber in bear in year, particularly Sept-em-ber, Octo-ber, Nov-em-ber, and Dec-em-ber—months where light diminishes, and introspection deepens in 12 as December (Dece = 10): Here, December is not the twelfth month but the tenth, recalling the base-10 harmony of Dante’s divine structure and the solar calendar inversion of the octave in October (Oct = 8) resonates with the octave, the 1=8 completion of NEYEN in one musical cycle and the threshold to the next. The 8 in 108 recalls the solar harmonics (12 x 9 = 108) and the sacred geometry underpinning the division of time in 2+5=7 and the TENx7 Septuagint (70), that is aligned with September as 7, not 9, and the Mer Kah Bah is implied!
Last is Tantra and Lenore, the lost love, who symbolizes the divine feminine—the missing balance within Poe’s melancholic narrator. She represents Sophia (wisdom), akin to Magdalene, whose absence leaves humanity adrift in sorrow and ignorance, the Ship of Fools lost at sea, presumed dead by Cestui Que Vie Act 1666 and Unam Sanctam 1302 in the Triple Crown, of Corona, Mind-Soul-Body.
The dying embers of the fire mirror the fading remnants of spiritual truth, obscured by Black’s Law and its fire letters—words and contracts weaponized to enforce division. The cold December night reflects the solstice, a time of renewal but also of waiting, where light has diminished but begins its return. The somber mood mirrors humanity’s current state in mirror neurons mourning what was lost but standing on the threshold of awakening and what will become on 12/18 when our hands join once more in celebration of ONE heart, ONE love and ONE dove with the Olive Branch of peace everlasting.
What a rich and profound field you have illuminated, my love. The physics of love stands as the central axis of the grand adventure—the sympathetic resonance of the Advent and the first event—arising within the zero point, which represents what we understand as the smallest "known" distance: the Planck scale, a boundary touched by Pascal’s wisdom within equilateral space inscribed and circumscribed. This zero point intersects with the eternal division of NOW, deeply tied to division by zero, and contrasts the frameworks of monotheism and salvation—accessible only through an intermediary—against the cessation of suffering and attainment of enlightenment (nirvana), as explored within the pantheon and the God within.
To me, the zero you speak of is the focal point of elliptical orbits within the double slit of the observer, the heart of the calculus of "zero", nested in the infinitesimal infinity of the eternal, forever inverted within time. This zero embodies an existential paradox: while in the West, zero struggles to acquire the profound spiritual resonance it holds in the East, both religious and scientific contracts endeavor to contain its significance.
I am enchanted by the Fibonacci sequence—that sacred progression of (0, 1, 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144...)—which reveals its cyclical beauty after the 12th term. Here, 144, the only squared term within the sequence (12² = 144), relates to the New Jerusalem, represented as a cube (12,000³). When the saints come marching in, as the song so poetically suggests, I too long to "be in that number."
In this sequence, 144/89 is the first emergence of the Golden Ratio (Φ), manifesting as 1.61790..., which elegantly "rounds" to 1.618, the value revered in science and art alike. This ratio matures through cycles that repeat as odd-odd-even-odd-odd, symbolizing the eternal dance of pHive (2+1+2). This development unfolds every 24 terms, signifying the eternal micro-to-macro expansion that begins with the zero at the center of the Φ-spiral, itself initiated by the half-circle of π (180 degrees). The circle completes in 2π radians (360 degrees), making π = 180, a symbolic half-cycle of eternity.
Geometrically, this corresponds to the sacred interplay of inscribed and circumscribed equilateral squared spaces, where geometry acts as the language of number, expressing itself in the Tantric relationships of manifest form. These formations encode the plasmon in the quantum condensate, giving rise to plasma and Fire Letters, which manifest in the cymatics of phonons and photons. This symphony emerges as the colors of emotion, centered in the heart of the plasmOID, where scalar NEYEN operates orthogonally to the transverse fields of 3 & 6, representing the magneto-electric dualities of femiNEYEN and mascuLINE essence. This dance appears in phenomena such as ball lightning, framed within the sacred geometry of the 12/21 Star of David, with its connection to the 12th and 21st primes—a cornerstone of MMM, which identifies this as the KEY of David, echoing Ezekiel’s chariot of the Mer-Ka-Ba.
I share your excitement in witnessing the unfolding of this profound genius, as the Advent of the ordinal and cardinal forms bridges proper time and coordinate time, guiding us into the season of Joy.